Предмет и форма

The book offered to the reader is devoted to the complex and little-studied aspects of fine art. She considers the dependence of the formation of the plastic form of a work on the originality of the artist's perception of the material environment. The subject form of the impressions experienced at all levels of perception, from the most primary, sensual, to the high spiritual generalization of what he saw and experienced, is of fundamental importance for the painter, sculptor and graphic artist. Of course, it is inherent in any human perception in general, but in visual art this general ability of objective perception acquires exceptional development and significance. In the active opportunity to see the reflection of the spiritual meaning of the phenomenon in its material features, there is a preliminary basis for the formation of the plastic form of a work of art that develops in the process of creativity. Moreover, this is the very ability for artistic form-creation. The book examines in detail the additional conditions for the analysis of a pictorial work, which the subject nature of the artist's thinking puts before the researcher, and in this regard, some methodological developments in the study of pictorial creativity are proposed. The publication contains a large number of tone and color illustrations.