Маски духа

Time has lost its boundaries, and everyone has become the same age. Therefore, Efim Vershin so easily managed to wander around the south of the Russian Empire together with the exiled Pushkin, spy on how the cavalry brigade of Grigory Kotovsky captured Odessa, exchange places with the great Goethe in Paris, and even enter into correspondence with the famous Jewish king Solomon.
There is no time - there is a symbol of time, a mask of time. Throwing it aside, the author finds himself in a single world, where Paris, Moscow, St. Petersburg, Hamburg, Odessa, Syktyvkar, Tiraspol, flowing from each other, continuing each other, turn out to be one big city, where many famous and unfamous inhabitants live side by side. Almost unwittingly, Vershin created a new artistic method, which he himself called the method of global realism. Its essence is not only in the absence of time and a strictly limited place, but also in the fact that consciousness easily changes places with the subconscious, creating a new reality. A reality in which you can not stop even for a minute. A reality in which you can not think. - A man is like a centipede, - says Vershin on the pages of the Friendship of Peoples magazine. - As soon as he thinks about how he stops. Meanwhile, a person must not only walk, but also fly. Have you ever seen a thoughtful bird?