С закрытым ртом

Is the play tied to the need for staging on stage? Are plays possible today that continue the path of the "theater of the absurd"? In the collection of Anatoly Ryasov, the play appears not as a sketch of a stage production, but as an independent artistic statement - a language event that is realized only at the intersection of the characters' replicas and the author's remarks. The characters of these plays can be people, voices, video projection, even reflections and spots, but they all try to “get to the limits of dramaturgy by all means.”