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The study offered to the reader is devoted to the complex process of interaction between the main types of cinema (feature, documentary, animation and popular science) in the context of the development of film language. The author of the book shares his theoretical and practical observations on the features of isoverbal film narration. The focus is on textbook concepts: genre, style, composition, storyline and plot - in the projections of their "work" in various visual spaces of films of the last fifty years.
Publisher | Российский Институт Истории Искусств |
Publication date | 2011 |
Number of Pages | 182 |
Bookbinding | Обложка с клапанами |