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Казус Vita Nova

45679

Мартынов В.

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The debacle in the press of Vladimir Martynov's opera "Vita Nova" prepared an extremely fertile ground for a philosophical debate about the place of music in the contemporary cultural context. The composer aims at the modern musical situation as a whole, showing that the laws of the era of works and their creators do not apply in the space of consumer culture. Meanwhile, as academic musicians continue to create a complete illusion of life where life is impossible by definition, and ubiquitous journalists, proudly calling themselves "experts", are unable to decipher the cultural codes hidden in peer-reviewed creations and perceive the obvious - the inevitability of the onset of a new life. Music, according to Martynov, is self-exploration. The exhaustion of the aesthetics of authorship and musical formats of the past leads him to the idea of creating a fundamentally new discipline - musical autoarchaeology, i.e. the archeology of one's "I" through music and the archeology of music through one's "I".

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ISBN 978-5-89817-306-7
Publisher Классика - XXI. Москва. 2010
Bookbinding мягкий переплет, 160 стр.

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ISIA Media Verlag UG (L)

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Leipzig, 04357
Germany
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